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These works utilize the visual language of lithographic propaganda posters to investigate problematic domestic legacies of colonialism, including the military musculature of national identity. They suspect the efficacy of insisting upon white male civility as an enduring national brand in North America, and call into question the Herculean efforts continually made on behalf of its promotion.Problematic concepts such as manifest destiny and The West are common themes, suggesting what has been - and continues to be - a rhetorical spearhead for imperialism. Individual works quote extensively from treaties between indigenous and settler populations, as well as language from prominent political speeches and state documents of both the distant and recent past. The pieces illustrate some of the most ingenious tools ever invented for the management and industrial consumption of natural resources, and draw on the tradition of caricature as both a form of entertainment and means of self-mythologization.
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If you have any issues with your artwork acquisition please email us at iotastudiogallery@gmail.com. We do not accept returns or exchanges. If your works arrive damaged, please notify us with images of the artwork within 14 days of delivery. Damaged digital prints will be replaced at the cost of IOTA, and in the case that a unique and irreplaceable artwork is damaged, IOTA will lead a claim process with shippers and the client will be offered a store credit or refund for the value of the artwork.
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Artwork purchased through IOTA Studio Gallery is not for public display. Canadian Artists' Representation/Le Front des artistes canadiens (CARFAC) sets presentation standards for Canadian artists, which require that artists be paid equitably for their work, including exhibitions. If the artwork is to be displayed publicly, or in an exhibition, IOTA Studios or the artist must be contacted directly to discuss presentation fees for the artist.