{"title":"Homepage","description":null,"products":[{"product_id":"baroque-biology-petri-biochemical-dos-i-do","title":"Baroque Biology Petri: Biochemical Dos-i-do","description":"\u003cp\u003e2020\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted on Epson Premium Lustre Photopaper 240gsm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBaroque Biology (Paper Theatre) is a series of LB Agar petri dishes containing imaginary biological vignettes where non-human organisms teach humans complex biotechnological processes. Reminiscent of William Hogarth’s serial engravings combined with fairy tales from a biotech future, each allegory focuses on a non-human organism who tries to communicate with humans in a helpful manner about the biological processes they employ for survival, for reproduction, and\/or aesthetic pleasure. Sometimes the human characters are open to receiving the communicated information, and sometimes they are hostile, or ignorant to the messages they are receiving across species. This work is inspired by Lynn Margalius and Dorion Sagan who argue that humans learned genetic engineering from microorganisms, and Bruno Latour who argues that Pasteur collaborated with microorganisms in the discovery of penicillin. These perspectives upset the more common biotech narrative of human ingenuity and discovery as the central force in advancing biotechnological research.Each vignette is staged within the context of a paper theatre collage. Petri dishes growing GMO bacteria also contain paper cut outs, gold leaf, and 3D sculptural agar forms. 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Through a process of converting digital 3D renderings into paper models, the artist has constructed drag-influenced costumes, wigs, and masks that they wear for this series of self-portraits. By staging these photographs within sets created from images of video game environments, Gallagher is interested in the queering of virtual spaces and blurring the binary of the digital and the physical.\u003c\/p\u003e","brand":"Séamus Gallagher","offers":[{"title":"16 in x 24 in | Edition of 50 | Digitally Signed","offer_id":41006884421825,"sku":"","price":350.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0593\/1660\/1025\/products\/SeamusGallagher_SlipperyPlace3_1ed7013d-f0db-46f5-9b02-9966beedea1d.png?v=1637333194"},{"product_id":"tesikiskik-every-day","title":"Te'sikiskik (Every Day)","description":"2021\u003cbr\u003eGiclée print (archival 100 years)\u003cbr\u003eThis print Te'sikiskik (Every Day) has a counterpart titled Te'sitpa'q (Every Night), both by artist Jordan Bennett and are based on an original commission by Nocturne Art at Night in 2019. The installation was titled Ne'ata'q (Sun is Coming Out) and installed on Barrington Street in Halifax, for DHBC's from Gritty to Pretty Program. These works are printed on William Turner rag paper. A giclée print is an archival-quality printed reproduction of an original artwork, made using a specialized ink spray process (giclée is French for \"to spray\") developed exclusively for fine art printing. Giclée prints are printed either on canvas or fine art paper using 100% archival inks and media. 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